Five pieces, considered slowly. Linen, cork, oak, brass — materials that soften the room rather than fill it.
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A 5 mm mat of dense, low-porosity cork bonded to natural tree rubber. Each mat is hand-finished and the traditional Chinese meridian lines are laser-etched along the length — a subtle map to guide alignment during long holds.

A 380-gram eye pillow for śavāsana and long restoratives. The outer shell is double-layered — mulberry silk on the face, stonewashed cotton on the reverse — filled by hand with flaxseed and dried Provençal lavender.

A sand-cast brass singing bowl with a tuned fundamental of 432 Hz. Each bell sits on a lathe-turned white oak base and ships with a felted cherry-wood mallet.

A 2.4-metre strap of heavy-weight undyed linen, softened through three wash cycles. The buckles are vegetable-tanned leather from a small tannery in Tochigi.

A pair of standard-size blocks (23 × 15 × 7.6 cm) in two complementary densities: soft cork for restoratives and hip-openers, and dense kurumi walnut for standing postures requiring a firm edge.